Dragonframe gopro9/6/2023 We just drove around, then picked out the best portions for shadows and sunlight and such and Eric had to match to that.Īdkins: We looked at Bianca’s shots and analyzed each frame to be able to say, “Oh, the car is going into a daylight fill here for a long period, then here’s a dapple of light, then all of a sudden we are in the broad sunlight with an arcing bend.”Ĭline: The trickiest thing from my end for that scene was how to photograph something as small as Marcel that close with a GoPro. We did a bunch of tests to figure it out. Those cameras are not designed for being up close, so we had to get macro adapters, like tiny diopters, that we could put on the GoPros. When those cameras are that close to something you also see a lot of jiggle. We had to use three of the suction cup to hold the camera. GoPros are really meant for wide-angle action photography, to be far away from people. So, trying to make them work for this and make it feel like we’re filming was difficult. That was always kind of a theme on the movie.
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